She’s keen to stress that Lives Less Ordinary is “not a show about working-class art but about working-class Britain seen through the lens of artists who are brilliant in their own right ...

Two Temple Place is rammed. Arriving on a Tuesday morning, visitors are met with a queue that snakes down a gravel path ...

The portrayal of workers and labour in art and the media have far-reaching implications on how that work and experience is understood and remembered. Recording the working class experience in art ...

surprises and inspires a working-class audience, and anyone interested in art against-the-odds,” he says. Glenys Scott looks after grandson Matthew by Richard Grassick, 1994. Courtesy the artist If ...